See the art in the message

See the art in the message

—Part 4 of 4

Advertising campaigns conceived and executed with “innuendo intendo” provide versatile and expansive communication “legs.”

“Hinting,” allows companies to simultaneously become more nimble and more precise.  Innuendo allows expressing, expanding, recreating, and suggesting brand personality in ongoing advertising campaigns.  You’ll find that intentional overtones and implications can be expressed in any number of ways as long as their “hint” remains “loyal to the brand personality and core values” is realized in the consumer’s experience.

Do not pretend to be what you are not; but yes, use the mighty innuendo for all it’s worth.

Who does it well???

An obvious example of my point is Guess Jeans’ branding campaigns. Their sultry personality has  “rolled out of the sheets” (innuendo intended) over at least the last decade expressed in countless ways and untold innuendos over the years.

It’s not enough that the name GUESS more or less “says it all” by way of implication, but their bodacious campaigns are replete with visual cues that keep the viewer fixated on the message, the visual—guessing about “what’s going on.”  I, personally, am not the target audience and yet, viewed through my marketing spyglass, I “get” what they’re doing.  Hinting accomplished!

Like it or not, Guess has intentionally developed its sensuous “brand-personality overtones” in print that effectively radiate its attributes, style and product: naughty, sexy, promiscuous, hungry, reckless and youthful, wealthy, (to name a few).  Guess delivers poignant, visceral imagery to its target audience that “vibrates” its message, in my humble estimation, very effectively.  In fact, the ads are so effective in their explosive “hinting” that, for many, may trigger the need to go to confession after simply perusing an issue of “Vanity Fair.”  The models change, the mood changes, the scenes change, the props change—but the overtones don’t change, and neither does the suggestion, the innuendo
.

Don’t take my word for it.  Just look around. Start paying attention to innuendo.  You’ll see subtle manipulations pushing buttons all day long, in all sorts of ways.  It’s pretty interesting, actually.  Shakespeare’s Juliet said it best:

“What’s in a name? That which we call a rose
By any other name would smell as sweet.”

Innuendo, by any other name, means hinting, alluding, suggestion, and insinuation.

Isn’t it time to get your brand management innuendo intendo on?

END

none

—Part 3 of 4

In Part 2, I suggested that marketing departments initiate the process of brainstorming to define and convey the brand personality so innuendo, as a key tactical component in brand development and maintenance strategies, can be utilized. This process ultimately enfolds many dimensions: specifically, insinuation, suggestion and overtone are key.

A. DEFINITION.
One very fun and effective method that I participated in at Hallmark Cards is to discuss your company as though it were a person, and compile a detailed overview of this person’s personality and unique attributes. These components then become the “food” for innuendos intentionally used and incorporated into the creative, ongoing expression and strengthening of your brand message over time.

This is fun and also very worthwhile when done seriously.  We made day of it. Our Marketing VP took us off-site to a stimulating destination and purposefully engaged us in this process, over an entire day, inviting those in the company and agencies who knew the brand best to participate. You, too, should engage employees, agencies, shareholders and, perhaps, even current customers via primary and/or focus group research, in your process!

Our facilitator asked realistic questions and forced us to “get basic and honest” about who we were and who we wanted to be—in this case our “person” was the already-existing international headquarters/campus of Hallmark Cards, Inc. (which included the marketing of convention hotels, office, residential, retail, entertainment and parking products).

How could be pretend to see this conglomeration of products as a person, with a unique personality?  And how to keep it honest?  We said our “person” was “mature and sophisticated.” But, could we deliver a “mature and sophisticated experience” to the visitors?  Consistently—in every business unit? Were our parking lot attendee as ‘mature and sophisticated” as our fine dining restaurant’s hostess or our Hyatt Hotel’s bellhop was?  Could we deliver the personality promise in reality?  If not that personality attribute questioned.

Your logo or symbol, your tag line, your graphics, copy and colors should all suggest who you are and hint at what you actually deliver to the consumer in terms of product, experience and/or service.

  • What are your core values and are they implicit in your business identity?
  • Get clear about your business, service and/or product’s “personality overtones?”  Are you aggressive, playful, serious, and demonstrative, under spoken, creative, and thoughtful?  And…are you adeptly, intentionally, applying emotional overtones in your advertising messaging that evoke, suggest or “hint at” these attributes?

At the end of our brainstorming outing at Hallmark Cards we had specifically defined our “personality” —and it’s possible expressions via our restaurants, upscale department store, our family-oriented ice-skating rink, and our upscale convention hotels.  And, as a result of this exercise, we knew precisely what overtones we wanted to communicate,  At this juncture we each took the lead in directing our ad agencies—and their creative directors, art directors, copywriters, photographers and illustrators—in directing the appropriate overtones to be used in the visual and verbal execution of our advertising messaging.

And this brings me to my second point.

B. CONVEYANCE
Advertising campaigns conceived and executed with “innuendo intendo” provide versatile and expansive communication “legs.”

“Hinting,” allows companies to simultaneously become more nimble and more precise.  Innuendo allows expressing, expanding, recreating, and suggesting brand personality in ongoing advertising campaigns.  You’ll find that intentional overtones and implications can be expressed in any number of ways as long as their “hint” remains “loyal to the brand personality and core values” is realized in the consumer’s experience.

Do not pretend to be what you are not; but yes, use the mighty innuendo for all it’s worth.

none

Hot Stuff

Hot Stuff

—Part 2 of 4

Let’s face it, innuendo is used as a powerful and direct technique to deliver high impact and reinforced brand recognition via insinuations and overtones.  It’s done all the time.

Stay with me, you’ll see what I mean.

Insinuations and overtones. As an even further investigation into the definition nuances of innuendo, I looked up the word overtone.  Bingo, a bridge to support my postulation.

Overtone is defined, in part, as “a secondary effect, quality, or meaning; suggestion, connotation.” There is a silver lining—an alternative way to interpret innuendo only being effective and utilized in the context of “insult.”  It is not always a “disparaging allusion.”  It can be, and is, an overtone.  And overtones can and should be used tactically in brand expression.  And used intentionally.

So, now it’s time for action.  Ask yourself and your marketing team:

  1. How can I tactically utilize innuendo intendo as a component of my brand development and maintenance strategies?
  2. Is there a process we can use to define brand overtones and determine how they can be conveyed?

Yes, there are several strategic methods that can be engaged to define brand attributes and then convey those attributes via innuendo.

Is it time to brain storm and develop your brand personality?  In Part 3 I will discuss some activities that I’ve participated in to do this.  Group cognition is helpful, especially early in the development of identity and brand.  Your marketing, communications and sales “brain trust” must collectively agree that, indeed, words matter, color matters, design matters—and therefore agree to define and convey these “tools” with an intended overtone and message in mind.

none

Most commented

  • None found